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Showing posts from 2011

Irish Graffiti, Is It Art?

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When I started researching for this article I was not sure which way it would go as I had not really thought much about is Graffiti art a valid means of expression. Some of its of course is just tagging hence like many I tarnished it all with the one brush. With the emergence of Banksy onto the British Art Scene many people have begun to see Graffiti art in a new light. Ireland has always had Graffiti artists working not only in urban areas but has peoples attitude to Graffiti changed? "New York is Killing Me" by ADW which only lasted a few days on Abbey Street Dublin   Graffiti can be and is a means for artists to get their work viewed by a mass audience that otherwise would not step foot into a gallery, until recently would not have been shown in many galleries across Ireland.  So what exactly has changed? for one graffiti has become more technically sound and have become more about what the artist wants to say rather than just a form of tagging, it has

Zin Taylor: Thoughts and Forms

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Our current Artist in Residence, Zin Taylor, will give a talk in The Model on his practice on Wednesday December 7th at 6pm. Zin has become known internationally for his elaborate installations encompassing elements of performance and sculpture along with drawing, printing, and video. Narration is an essential ingredient of much of Taylor’s multifaceted work, and his stories are often culled from the undergrowth of popular culture (more specifically underground music scenes) and contemporary art lore. Journalism, research, storytelling: not surprisingly, both the spoken word and the printed word figure prominently in Taylor’s practice and many of his installations have also been accompanied by publications and/or artist books. The talk, as much as it will be about his work, will traverse a wide variety of influence, anecdote and past history to arrive at the basic principle behind what it is Zin Taylor does – the development of thoughts about a subject in

Returning Georgia Hopkins

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“Returning” is an exhibition of works by local artist Georgia Hopkins. The paintings are atmospheric seascapes and landscapes inspired by the natural beauty of Cork and West Kerry. Artist’s Statement ‘Returning’  I chose ‘Returning’ as a title for a number of reasons. Initially it was a literal, working title, as I would be returning to the lovely Alliance FranÒ«aise de Cork gallery of my first solo exhibition. As I thought more about it however, this title resonated on a number of different levels. The very fact of having this exhibition necessitated my own returning: to the painting process, to the quietness of mind that that both allows & demands, and to my enduring source of inspiration, which is the wonder and beauty of the natural world. It is always a great pleasure to return to my inner connection with nature, to the universal energy, to the place in us all that makes us both unique in spirit yet connected with everything and everyone else. From anot

John Macormac Structure

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 Structure is John Macormac’s new solo exhibition of recent works on card, paper and wood. The title refers to the artist's interest in combining different elements and techniques to construct works that provoke a subjective sense of atmosphere, and a relationship of entities that coheres in the mind of the viewer. The artist combines collage, oil paint, acrylics, emulsion, ink, spray paint, conte crayon, chalk, felt tips, pencil and anything else that appeals. Found photographs and fragments of text can be included because of a personal sense of meaning, or purely as passages of visual ‘noise’. The work does not start with a finished image in mind. Rather it carries a sense of practical progression; each new area suggests the context and space for the next aspect of the piece. The artist will often work on several at a time. Pieces are often playful, while rough edges and accidents are encouraged. The work is in a constant state of evolution and reinvention. L

A Nation of Art without a Future? Discussion

What is a nation? And what do we need to be considered part of a nation? This event aims to consider our identity as curators, as Italians, as Europeans in a precarious time, especially because of politics and economics. We are living in hard times: both Ireland and Italy are suffering due to the global crisis and our governments are forced to cut funds to support culture. Thus the art system is in danger and a lot of people have decided to leave their own country to find other possibilities abroad. The “new emigration”, composed of graduates and highly educated people, art professionals, doctors, engineers, is changing an entire social system, especially in Italy. Taking inspiration from the financial crisis and funding cuts, the event will focus on the reaction of artists to these issues, their interpretations of the causes and effects, and their strategies to address or overcome them. Quoting Boris Groys, “artists today are using the same forms and proces

Helen Sharp - Love's Rebellious Joy

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Helen Sharp is an artist living and working in Fermanagh, Northern Ireland. Helen grew up on the tiny Hebridean island of Vatersay in Scotland and left the islands to take up a place in Edinburgh College of Art where she gained a First Class honours in Sculpture and received the Andrew Grant Bequest Scholarship for Highest Academic Achievement. Helen went on to gain a Masters with Distinction in Time Based Art from Dartington College of Arts gaining the highest degree result in her year. After some time teaching and also exhibiting internationally many times, Helen went on to be director of Catalyst Arts Gallery in Belfast and then to complete a PhD in Art from the University of Ulster. Alongside and equally as important to her academic career, Helen has continued her art practice and recently had a major solo show called the `Hero and Now’, exhibiting film,  photography, print and installation. Helen was one of five shortlisted artists for the Cultural Olympiad in

Rivane Neuenschwander: A Day Like Any Other

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This major mid-career survey of the work of the internationally admired Brazilian artist Rivane Neuenschwander covers a decade of her work. A Day Like Any Other highlights her unique contribution to the narrative of Brazilian Conceptualism and reveals her wide ranging, interdisciplinary practice that merges painting, photography, film, sculpture, installation, collaborative actions and participatory events. Three installations in the exhibition involve direct visitor participation. The first, I Wish Your Wish , 2003, is based on a tradition at a church in Salvador, Bahia, Brazil, where the faithful tie silk ribbons to their wrists and to the gates of the church; and, according to tradition, their wishes are granted when the ribbons wear away and fall off. At IMMA hundreds of similar ribbons are printed with visitors’ wishes from Neuenschwander’s past projects exhibited elsewhere. Visitors are invited to remove a ribbon from the wall and tie it around their wrist. Acc

Fire Station Artists’ Studios

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Located In the north east inner city Dublin, Fire Station Artists’ Studios was established in 1993 to support professional visual artists. Fire Station provides subsidised residential live/work spaces for visual artists. The studios are let for up to two years and nine months and for shorter periods for international artists. A long term residency at Fire Station allows an artist to focus on their practice and general career development in a supportive and well-resourced environment. Fire Station provides large scale sculpture workshop facilities and training opportunities for artists through its Skills Programme. This programme has expanded to include digital and film training and continues to host technical training and master classes which incorporate critical reflection. A key policy of Fire Station is to contribute to the debate on collaborative and socially engaged arts practice. This is achieved through working with both local and international ar

Broadstone Studios

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Located in Dublin city center, Broadstone Studios is an independent visual artists’ studio workspace that was founded in 1997 by visual artist Jacinta Lynch. The core philosophy of the studio is one of autonomy that supports professional development for contemporary visual artists through the provision of affordable studio workspace within a safe, secure, accessible and creative environment. Support facilities include a black & white darkroom, digital video editing facilities and a large ground floor project and exhibition space. The large open project space enables the studios to provide public access for a predominantly private artists workspace through a series of practice led initiatives, partnerships and collaborations. Broadstone Studios works in partnership with many artists’ studio organisations, both nationally and internationally to research new models for studio providers, to lobby and advocate on behalf of visual arts workspace’s and to create networ

China Through the Lens of John Thomson 1868-1872

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This exhibition is devoted to images of China by Scottish photographer John Thomson (1837-1921). Born in Edinburgh Thomson first travelled to Asia in 1862, where he set up a professional photographic studio.  Fascinated by local cultures, Thomson returned in 1868, settling in Hong Kong.  Over the next four years he made extensive trips to Guangdong, Fujian, Beijing, China’s north-east and down the Yangtze.  This exhibition is drawn from his time in these regions. In the early days of photography, when negatives were made on glass plates, a cumbersome mass of equipment was required but Thomson was nevertheless able to capture a wide variety of images.  His works present the human aspects of life in China through the extensive record of everyday-street scenes, rarely captured by other photographers of that era. After returning to Britain, Thomson took an active role informing the public about China, through illustrated lectures and publications.  In 1920, he wrote to H

Block T

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Block T is an organisation that has been operating from a formerly disused tile warehouse located in Smithfield Square, Dublin since July 2010. Block T  provides a platform for visual and performing arts, as well as fostering philosophical, social and technological innovation, locally and internationally through education and exchange. Producing an interdisciplinary and varied programme, Block T hopes to establish engagement that encompasses a diverse and wide ranging audience Block T's wider mission is to provide a platform for creative thinking from all avenues. It strives to help independent, self-sufficient and productive individuals to bridge the gay between theory and practice in their art or discipline and to give them exposure to a wider audience. Block T is a 8000 square foot space which encompasses 11 resident artist studios, a gallery space, a workshop room, a performance room, a communal room and a photography darkroom. View Larger Map

Unknown Knowns - Recent Art Graduates from Fingal / Andrew Carson, Sally-Anne Kelly and Lisa Shaughnessy

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The term Unknown Knowns which constitutes the title of this exhibition, is the description used by the Slovenian philosopher Slavoj Žižek when he refers to the “unconscious beliefs and prejudices that determine how we perceive reality and intervene in it.” Things we know, but don’t know we know, dictate how we address situations we encounter. Obviously it is impossible to know what the unknown known is because if we did it would become the known known, but the work in this exhibition addresses the theme of unconscious knowledge. The three artists have explored and represented specific elements of this through their work. Shown through a diverse range of works, from the manipulation of materials that we know on some level are familiar to us, to the investigation into the possibility of another self and how this can determine our lives, to the idea of the second life and the attempt to survive for eternity, all three artists’ work delve into certain aspects of the unknown

Black Church Print Studio

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Black Church Print Studio is an artistic collective and one of the leading contemporary fine art print studios in Ireland. It was established in 1982 as a non-profit organisation and is grant-aided by the Arts Council, Department of Arts, Heritage and the Gaeltacht and Dublin City Council. The Studio provides fully equipped facilities for all types of fine art printmaking from traditional to innovative techniques, offering facilities in etching, photo-intagilo, screen-printing, lithography, relief and giclee printing. Its main focus is to enable Studio Members to create high quality limited editions and to expand the boundaries of printmaking by embracing new, innovative processes. It has 70 full-time artist members with 24 hour access. Black Church Print Studio is a friendly and supportive environment with full-time technical and administrative staff and part-time digital support. The Studio has an exhibition, artist in residence and peer critique programme to support the  prof

Allotments by Brigid O'Brien

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Signal is proud to present the exhibition of paintings and drawings by artist Brigid O’Brien.  Brigid has exhibited widely in group shows in Dublin, Wicklow and London.  She has worked with other artists and people with disabilities, designing gardens and painting murals in places of long –term care.  As an artist, drawings are her specialty, she has a unique quirky view of life which she portrays in her work.  Allotments were a feature of the earlier part of the last century. I recall observing the patterns left by them on railway banks around Dublin in the nineteen sixties. Quaint, they looked, old fashioned and definitely part of our past.  Fifty years later, in tall glass buildings, decisions are made that affect all of us. A sense of anxiety is now seemingly part of what we are.  Outside of the economics, the protests and resignations, a new movement has started. It is an underground revolution. It is happening in your area. It has infiltrated schools, business

Fables | Peter Burns, Anne Hendrick and Mary Noonan

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Peter Burns creates paintings and sculptures in a variety of materials and has a very tactile approach to his work. Based on his research into literature, art history, myth and allegory, Peter’s paintings are often playful re-workings of romantic themes with allusions to faraway places. The sculptures are often very fragile, an important feature which lends the sculptures a warmth and pathos. Since graduating with a Masters in Fine Art from NCAD (2009), Peter has been involved in numerous solo and group exhibitions, the most recent being a solo exhibition in the Fenderesky Gallery, Belfast and as part of a group show at this years Royal Hibernian Academy Annual Exhibition in Dublin.  Anne Hendrick’s paintings deal with the nature of reality and the truth within the seen image by simulating architectural, psychological and social spaces or situations within a landscape. The work questions ideas surrounding representation and the idea of an embellished truth. Dualist

Going Solo

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Meath County Council Arts Office in Association with Solstice Arts Centre are delighted to announce Sarah Standing, as the 2011 winner of the’ Going Solo Award’. This award is intended to support recent graduates of art living in, or from Co. Meath, and to assist young and emerging artists in the development of their professional careers. From Navan, Sarah has taken part in a number of group shows in Dublin and Cork. ‘Going Solo’ will be her first major solo exhibition. Of her art practice and forthcoming exhibition she says; ‘This body of work analyses and explores the architecture and concept of the house and home. It manifests from language, theory and signage attained to its form. The intention being to present the relationship we build with and within the architecture of the house. My practice exists of small to medium scale, painted installations. It combines elements of both sculpture and painting’. It promises to be an exciting exhibition which w

Signs Of Life Exhibition

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Where would you find TV3 Ireland am presenter Sinead Desmond, footballer Robbie Keane, novelist Roddy Doyle, cook Rachel Allen, UTV and Sky TV presenter Eamonn Holmes, and musician Andrea Corr in one room? Signs of Life is organised by the Irish Deaf Society (IDS) and is the first ever Irish Sign Language (ISL) celebrity photography exhibition. These photos, snapped by deaf photographer Johnny Corcoran, provide a glimpse of the beauty of ISL through the eyes of 26 celebrities, each signing the letter of the ISL alphabet. The aim of the exhibition is to encourage public awareness and appreciation of one of only two unique lrish languages. ISL is the native language of the Irish Deaf Community and is used everyday by more than 40,000 people. <br>d View Larger Map

Open Studio Day Galway

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Saturday 19th November 2011 Engage Art Studios & Artspace Studios, 12:00 -5:00pm Curators Talk by WHW 6:00pm, Nuns Island Theatre. Open Studio Day Galway is an opportunity to learn more about Galway’s contemporary artists, by meeting them in their studios to discuss their work and practice between 12:00 – 5:00pm. Open Studio Day Galway includes a Curators talk by WHW, (What, How and for Whom ) a curatorial collective formed in 1999 and based in Zagreb, Croatia.  WHW are the curators of the Croatian participation at the 54th Venice Biennale 2011, and the 11th Istanbul Biennial in 2009 and have directed the program of Gallery Nova, a non-profit, city owned gallery in Zagreb since 2003. Engage Art Studios , Cathedral Building , Middle Street. Engage Art Studios is an artist-run studio space in Galway city centre. Founded in 2004, Engage supports ambitious, young, professional-minded and emerging artists in a professional environment. The studios provide an

Martina O'Brien, Expanse 2 @ Waterside Theatre

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Dublin based artist Martina O'Brien will present her exhibition Expanse 2 in The Cascade Gallery, Waterside Theatre and Arts Centre from Friday 21st October to the end of November 2011. This exhibition is a follow up from her recent shows in The Watergate Theatre, Kilkenny in conjunction with the Kilkenny Arts Office August/ September 2011 and The Sol Art Gallery, Dublin, early October 2011. This body of work is about the internal and external landscape/seascape and the relationship between both. The work is itself a unique hybrid of painting and emotion. It is made up of layers of paint and mixed media and there is a contradiction between the actual and the inner which is emphasized by the three-dimensions that this layering produces. The internal landscape - beneath the skin and within the psyche, is the artist's inspiration. Light from the outside world refracts through a mosaic of experiences, paints fractals of light and colour, patterns within. Darkness, it

Returning by Georgia Hopkins

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Georgia Hopkins was born in the U.S., in Savannah, GA., and during her childhood was moved to Ireland, living in Co.Kerry and Co.Louth. After studying in Belfast, Georgia moved to Cork, where she has found her spiritual home, and has lived for nearly 20 years. Georgia is a self-taught artist, and has been exhibiting her work publicly since 1998. She has completed five residencies at the Cill Rialaig Artists Centre, and her work is strongly focused on the power of the natural world. Georgia’s work has been exhibited in Ireland and abroad, and is represented in private collections nationally and internationally. ‘My paintings are all essentially atmospheric, meditative pieces. They tend towards seascapes, landscapes or abstracts, they are small in scale, and are all painted in water-based media, primarily gouache and watercolour. Mood, light, water and nature are the recurring themes and inspiration points in all of my work, the choice of water-based medium allowing the

Mike Disfarmer @ The Douglas Hyde

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Mike Disfarmer Gallery 1    Mike Disfarmer, born Michael Meyer in 1884, changed his name to distance himself from the community in which he grew up, even going so far as to claim that he’d been blown into the family home by a tornado. For over forty years he was the local photographer in Heber Springs, Arkansas, making inexpensive studio photos to satisfy the needs and whims of his rural neighbours; in doing so he developed a distinctive style and well-honed sensibility which made him one of the masters of American portrait photography. At first, many of Mike Disfarmer’s photographs seem familiar; they bring to mind well-known images of southern American communities in the Depression years. A closer look reveals their singularity: these are portraits of people who are happy to have their pictures taken and are content to pay for them. They are people who are keen to impress and look their best, because the photos were made to be shared with family, friend

Settlement: a photographic installation by Anthony Haughey

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The Copper House Gallery will launch Settlement , a multi-disciplinary exhibition by Anthony Haughey on Wednesday 26th October 2011 from 6pm-8pm. Writer, journalist and political commentator, Fintan O’Toole, will open the exhibition. Settlement , a photographic installation by Anthony Haughey, charts the fallout from the collapse of Ireland’s ‘property bubble’, a result of the overheated Celtic Tiger economy. For this exhibition Anthony Haughey has created an installation in Fire’s new Copper House Gallery, which reflects the financial, ecological and domestic impact of Ireland’s economic collapse. His installation will incorporate a collaboration with some of Irelands architects - in collaboration with DIT Department of Architecture and Urban Design, NAMAlab, UCD School of Architecture and Mahoney Architects. As part of the   Settlement exhibition, The Copper House Gallery will host a public discussion on Tuesday 1st November 2011 6-8p

ART IN THE EASTSIDE - CEX artists billboard exhibition in East Belfast

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Creative Exchange Artists presents the second year of an outdoor gallery of nine billboards across East Belfast that celebrates the artistic exploration of the physical, visual and cultural expression of the area. The official launch and accompanying exhibition for the event will take place in Portview Trade Centre on the 20th of October 2011 from 6pm till 9pm. The artists whose work will be featured on the billboards in the area are Peter Richards, Cliff Brooks, Ray Duncan, Colin Davis, Ben Allen, George Robb, Katie Blue, Lesley Cherry and Deirdre Robb. This event is part of the Belfast Festival at Queens and is supported by Belfast City Council and the Arts Council of NI with sponsorship from Belfast Media Print and Design, Portview Trade Centre and James Brown and Sons.

After Hours

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Tattoo TV and White Lady Art are proud to present, "After Hours", Dublin's first independent tattoo art exhibition. It will show the fine art of tattoo artists, and the work of fine artists who are influenced by tattoo culture, from Ireland, the U.K. and Europe. The exhibition will include tattoo photography, erotic photography, drawing, painting, print and a special performance art piece on the opening night from Sharon Courtney. Sailor Jerry rum will provide free drinks for guests. Opening Reception: Saturday 22nd October 2011, 7 - 11.30pm. After party at Generator Hostel, Smithfield Square, 11.30 - 2.30 a.m. Tickets €10, or €12 including entry to the Generator club. Over 21's only.  Wheelchair accessible. On Show: 22nd - 26th October 2011. Location: The Complex, 18-21 Block C, Smithfield Square, Dublin 7. The gallery is wheelchair accessible. Opening hours for the show are 12-6pm. Featured Artists: Robert Hernandez, Oddboy, Gray Silva, Leigh Oldcorn

Art Fair 2011

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The Royal Dublin Society (RDS) is pleased to announce that it will build on the success of Art Fair 2010, with Art Fair 2011 RDS which will take place from 4-6 November 2011. In 2010, 130 artists and galleries exhibited and nearly 10,000 visitors came through the doors over the three days. All the information you need to exhibit is contained in the Application Pack and the Floor Plan. View Larger Map

The Annual Irish Polish Society Art Exhibition

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The Annual Irish Polish Society Art Exhibition at 20 Fitzwilliam Place Dublin 2 continues until Saturday 22 October .   Exhibiting artists include Marta Wakula-Mac, Camilla Fanning,  Maciej SmoleÅ„sk,  Orla Kaminska,  Martin Reynolds, Ula Retzlaff,  Deirdre Lennon , Helena Johnston , Marysia Harasimowicz  Roman Furgalski. The exhibition by Irish and Polish artists includes works in a range of media; oil, acrylic, print, drawings in pencils &, ceramics. It was included in the 2011 Culture Night Progamme and the current Dublin City Council’s Office for Integration ‘ One City One People ’ campaign (www.dublin.ie) The Exhibition is open afternoons on Friday to Sunday until October 22. Fridays: – 14th, 21st 12pm—5pm Saturdays:  - 8th, 15th, 22nd 1.45pm- 6pm Sundays: -16th Oct, 1pm-6pm For further information contact exhibition curator Marysia Harasimowicz at  marysiahz@gmail.com

Visit 2011

VISIT 2011 is the initiative of eighteen artists’ studios in Dublin. On Saturday the 22nd of October, over 250 visual artists living and working in the city will open the doors of their professional practice studios for VISIT 2011. Ever wondered what artists’ studios look like? Curious to find out? View Visit in a larger map Art Base 9 N Great George's StDublin 1, Ireland Black Church Print Studio Block T 1 Haymarket Dublin 7, Ireland Brunswick Mills Studio 32 Brunswick St N Dublin 7, Ireland Broadstone 22 Harcourt Terrace, Dublin 2, Ireland Fire Station Artists' Studios Ltd IMMA Irish Museum of Modern Art, Royal Hospital Kilmainham Independent Studio Artists 11 Eustace St La Catedral Studios Monster Truck Studios Moxie Studios 6 Lower Ormond Quay Dublin 1, Ireland The Red Stables Market Richmond Road Studios 1A Convent AveDublin 3, Ireland Talbot Gallery Studios 51 Talbot St Temple Bar Gallery + Studios The Market Studio 250 + Art

Vanitas - Patrick Redmond

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Vanitas - Patrick Redmond October 13th ~ October 28th, 2011, Molesworth Gallery In his latest body of work created for a collaboration between The Molesworth Gallery and the Wexford Arts Centre, Patrick Redmond engages with the vanitas theme that has pre-occupied generations of artists stretching back through the Renaissance to medieval funerary art and further still to the classical art of ancient Greece and Rome. Vanitas is a Latin word, meaning ‘emptiness’ and when applied to a painting is typically understood as work symbolising the meaninglessness of earthly or temporal - as opposed to spiritual - life. Typically, vanitas paintings have included symbols such as skulls, smoke, watches, hour glasses and decaying fruit to remind us of the ethereal nature of our existence. Redmond takes the theme and applies it first to meticulously-executed paintings of soap bubbles with all their connotations of the brevity of existence and the suddenness of death. Painted against a black back

The Surreal In Irish Art @ the Higland Gallery

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The Surreal in Irish Art is the first exhibition to explore the influence of surrealism on Irish art. Presenting the work of over twenty artists, it features paintings and sculptures by well-known pupils of surrealism; pieces by artists who have engaged with the legacies of surrealism; plus work by artists whose practice has affinities with the surrealist movement. Originating in France in the 1920s, surrealism was a revolutionary cultural movement aligned with left-wing politics, and focused on challenging social constraints and exploring the unconscious. Although several of the leading figures were writers, the movement is best remembered for art works characterized by unexpected juxtapositions including Salvador Dalí’s The Persistence of Memory, 1931, where clocks melt in a surreal landscape. F.E. McWilliam was the only Irish artist to be directly connected with the surrealist movement. He exhibited with the British surrealists in London, and the influence of surre

Naheed Raza @ 126

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Naheed Raza A new exhibition by Naheed Raza at 126 Gallery, Galway October 5 - October 22 For her exhibition at 126, Naheed Raza will be showing recent film and photographic works arising from her micro-residency at the Edinburgh Sculpture Workshop between April-May 2011, which hint at the way sculptural ‘gestures’ might permeate culture, mediating many aspects of our experience. By considering activities involving highly physical, rapid and automatic gestures in the first instance and complex, painstaking ones on the other, the exhibition isolates moments of transformation and malleability in both art and the everyday. Naheed Raza's background is in both Art and Science, having initially studied Medicine at Oxford University before switching to Fine Art, first at Chelsea College of Art and then at the Slade. Much of her practice, which spans sculpture, installation and film, explores the limits of knowledge and ideas relating to haptic and tacit awareness –

John Millington Synge @ An Grianan theatre

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John Millington Synge, Photographer An exhibition from Siamsa Tire featuring photographs taken by celebrated playwright J. M. Synge during his first visit to the Aran Islands. The exhibition consists of photographs which were taken in Connemara, Wicklow and West Kerry between 1898 and 1905. Synge had intended using these images to illustrate his account of life on the Aran Islands, but illustrations by Jack B. Yeats were used instead in the first edition. Yeats based many of his illustrations on Synge's photographs, most notably Yeats' drawing of An Island Man which was based on a photograph taken by Synge on Inis Oirr. This exhibition is organised in collaboration with Siamsa Tíre in Tralee. The photographs are shown with the permission of the Board of Trinity College Dublin. View Larger Map

Video Profile of Willie Doherty

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A video profile of artist Willie Doherty produced for the channel 4 ideas factory website. Directed by Vincent O Callaghan and produced by the Nerve Centre. Willie Doherty: DISTURBANCE , Dublin City Gallery The Hugh Lane, 5 September 2011 to 15 January 2012.

Ubiety @ Occupy Space, Limerick

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Occupy Space is pleased to present Ubiety- a solo exhibition by Alan Crowley following his MA studies in Contemporary Visual Arts and Media at Limerick Institute of Technology. From an artistic perspective George Berkeley's theories concerning consciousness and the function of the mind are innovative and engaging. Copper plate etchings, polyhedron structures and a dialogue short represent ideas concerning the interval between what our senses tell us and how we cognitively function. The exhibition brings this unconscious intellectual activity before the public for their enlightenment. The Gallery is open from 1pm-5pm Wednesday to Saturday Ubiety runs until November 12th 2011. View Larger Map For more information please visit www.occupyspace.com

Two Or More Distant Realities By Louise Manifold

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Manifold draws inspiration for her work from over-looked and often unbelievable subject matter such as rare delusional illnesses, obscure phenomena and manifestations of medieval melancholy, as a means in which to comment upon human consciousness in contemporary culture. The exhibition also reflects the artist’s fascination with the German ‘Wunderkammer’, or ‘cabinet room of curiosities’, private museums which date back to the C16th in which both the natural and the man-made were classified not by science but by the owner’s personal imagination and taste. In using this classification system as a vehicle, the artist presents her ideas upon hybridism and transformation, between both man and animal, and man and machine. Manifold’s cabinet of curiosities reads like a fairy tale, in which inanimate objects take on animal forms and preserved creatures are embellished like precious objects. Saturday 1st October to Friday 21st October.   Garterlane Gallery, O'Connell Street Waterford

A Fair Day Get Irish Art Buzzing

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When the hammer went down on Jack B Yeats painting "A Fair Day, Mayo" for one million euros this week its got the Irish Art Scene buzzing again as it became to most expensive work of art sold in Ireland. In times of crisis people look to the arts as a sense of National pride, take this sale and  the record numbers who were out in force for the Culture Night. Irish people are again looking for a national identity that had become lost during the recession. The recession has hit Ireland hard with the risk of losing its sovereignity. Culture in Ireland has always been an important part of society but during the boom is was watered down to make it fit into globalisation as Irish people looked outward with the roar of the Celtic Tiger. Ireland had become culturally lost which can be echoed in the presidential race where the candidates talk about supporting culture to build up Irish confidence in itself to get back on its feet economically.